cmagazine #91

cmagazine
ISSUE96/WINTER 2007

REAL, EXISTING CAPITALISM

VIEWS
  • Art Market Education. Sholem Krishtalka explores the     influence of the art market on young artists
  • The Politics of Cool: Emily Vey Duke and Cooper Battersby     investigate the, occasionally controversial, curatorial strategies     of Astria Suparak

    • FEATURES
  • Family Romance: Jon Davies examines the work of Israeli artist Guy Ben-Ner
  • Crushing Fashion: Ryan English interviews Italian artist Francesco Vezzoli about the relationship     between pop culture divas, art and beauty in his work
  • Conflict Studies: Andria Hickey discusses how Walid Raad's Atlas Group project uses fiction to help     us understand the facts in Lebanon
  • Lenin, Bicycles, Theory and Love: Christine Martin talks to Rainer Ganahl, an Austrian artist who     offers Marxist reading seminars as part of his artistic practice
  • MEGATRON: Brian Joseph Davis, Toronto artist, writer and critic, and Steve Kado, founding     member of the Blocks Recording Club, talk about Patty Hearst, Whitney Houston and data-based art

    • ARTIST CENTERFOLD
    High Dispersion of Light #2 by Devon Knowles, 2007

    REVIEWS
  • Kai Schiemenz, Fahnemann Projects, Berlin by Rodney La Tourelle
  • Auto-Emotion: Autobiography, Emotion and Self-Fashioning, Power Plant, Toronto by Jon Davies
  • Artefact, Montreal by Rosemary Heather
  • 2007 Turner Prize Winner Mark Wallinger, Tate Britain, London by Emily Vey Duke
  • Been Up So Long It Looks Like Down To Me, Presentation House Gallery, Vancouver by John Lundh
  • Woodlot: The 3rd KW/AG Biennial, Kitchener-Waterloo by Tor Lukasik-Foss
  • Emmanuelle Leonard, Optica, Montreal by James D. Campbell
  • Patterns Why: Matthew Burbidge, Jaro Straub, Spesshardt & Klein, Berlin by Wojciech Olejnik

    • BIG PICTURE
    Flatlander by Steve Topping, 2007



    For more information contact Rosemary Heather, 416-539-9495 editor@cmagazine.com


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