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Dec. 01 2020
Announcing: Associate Editor Maya Wilson-Sanchez

C Magazine is pleased to welcome Maya Wilson-Sanchez as our new Associate Editor.

Maya Wilson-Sanchez is an independent curator, writer, and editor based in Toronto. She is interested in processes of history-making and building connections between local and international communities to foster networks of exchange and solidarity. Her essays, reviews, and exhibition texts can be found in various publications including The Senses and Society Journal, Canadian Art, Contemporary HUM, and the book Other Places: Reflections on Media Arts in Canada (PUBLIC Books, 2019).

Wilson-Sanchez holds degrees in art history from the University of Toronto (MA) and OCAD University (BA) and has worked in collections, research, programming, and curatorial research roles at Gallery TPW, the Royal Ontario Museum, Onsite Gallery, OCAD University, MKG127, and the Art Gallery of Ontario. She curated Intra-Action: Live Performance Art (2016, 2017) at Xpace Cultural Centre, Living Room (2017) at the Royal Ontario Museum, DIY Love: Queer Knowledge & History Then, Now, and Forever (2017) at Pride Toronto, and Grounding (2020) at the Art Gallery of Guelph. In 2019, she was an Editorial Resident at Canadian Art and a Curatorial Resident at the Art Museum at the University of Toronto, where she contributed to exhibitions highlighting the work of Deanna Bowen and the Isuma film collective. She has shared her research through talks, public tours, and guest lectures held in multiple venues across Canada, the United States, and Mexico. The 2020 recipient of the Middlebrook Prize for Young Canadian Curators, Wilson-Sanchez will be a 2021 participant at the Tate Intensive in London, UK. She is currently curating a year-long public arts program and exhibition for the City of Toronto’s Year of Public Art.

C Magazine, established in 1984, is a contemporary art and criticism periodical devoted to providing a forum for significant ideas in art and its contexts. We gratefully acknowledge the financial support of the Canada Council, the Ontario Arts Council, and the Department of Canadian Heritage.

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