Issue 112
Issue Contents
Editorial
- Amish Morrell
Editorial: Exhibition Practices — Read Text
Features
- Jesse Birch
A Sea of Contingencies: Durational Projects — Abstract
- Philip Monk
Some Like It Haute: The General Idea Retrospective at the Art Gallery of Ontario — Abstract
- Caroline Seck Langill
"Me Calling Him—Him Calling Me"— Tom Sherman's Recent Video Work — Abstract
- Tatiana Mellma
New Experiments in Communal Living — Abstract
Interviews
- Denise Frimer
Paris/Ojibwa: Interview with Robert Houle — Abstract
Artist Project
- Alex Wolfson
The F.E.K. Archives:This is making me nervous... — Abstract
Columns
- Anastasia Hare and Candice Napoleone
Noteworthy — Abstract
Reviews
- Sarah Parsons
Taryn Simon: A Living Man Declared Dead and Other Chapters — Abstract
- Craig Francis Power
Art Ex 2011: River as Source — Abstract
- Emily Rosamond
Pavillon levé (dix jours à vaincre les mortes-eaux) — Abstract
- Joanna Sheridan
The Normal Condition of Any Communication — Abstract
- Lisa Myers
Gwen Macgregor and Sandra Rechico: Backtrack — Abstract
- Jill Glessing
EL ARTE del Comer: DE LA NATURALEZA MEURTA A FERRAN ADRIA (The Art of Eating: from "still life" to Ferran Adrià) — Abstract
- Sky Goodden
Louise Bourgeois: El retorno de lo reprimido ("the return of the repressed") — Abstract
- Mary Reid
Haven't We Been Here Before? — Abstract
- Sarah Stephenson
New Photography 2011 — Abstract
- Richard William Hill
Carl Beam: The Poetics of Being — Abstract
- Heather Anderson
(Re)Staging the Art Museum, edited by Tone Hansen — Abstract
- Amanda Brason
Where Art Belongs, by Chris Kraus — Abstract
- Natasha Ginwala
Making Art Global (Part 1): The Third Havana Biennial 1989, by Rachel Weiss and other authors — Abstract
- Issue 112
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16:14:37
- Winter 2011/12
UP