Column

Writer

Pro-Americanism

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Slant: Suffering, Empathy, Art and the Greater Good

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The Shover: Waiting For The One

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ADAC

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Optica

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Gallery 44

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Capture

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Craft NL

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Editorial

Editor

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Feature

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Body Politics: A Letter to Terry Eagleton

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Elke Marhöfer: Get Out if Here and Think We

Earl Miller is an independent critic and curator residing in Toronto.

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Nice Nihilism: The Art of Chris Hanson and Hendrika Sonnenberg

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Paper Rad: The Rainbow Graffiti Will Fade!

Interview

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I Want More Life Fucker: Arnaud Desjardin Talks to UK’s Inventory

Letter

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Re: Twenty Years of C Magazine

Artist

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Postscript to "An Interview With Michael Snow" In Issue #84 Winter 2004: Apologies and Corrections / Clarifications

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Designer

Publisher

Artist Project

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Table of Contents: Sydney Vermont, George Reagan, 2005

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Sadegh Tirafkan, From the Series: Secret of the Runes, 2002

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It Can Change, 2004

Review

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Eli Lander, "Twelve Years From Earth": Daniel Hug Gallery, Los Angeles

Julian Jason Haladyn is an art historian, cultural theorist, and Assistant Professor at OCAD University.

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Gu Xiong and Xu Bing, "Here is What I Mean": Doris McCarthy Gallery, Scarborough

Anne Low is based in Montréal, Canada. Her practice includes sculpture, installation, textiles and printmaking to investigate how particular expressive forms are able to unhinge themselves from historical contingency and speak to contemporary subjects such as the domestic, the decorative, utility and taste. Her works speak to wider narratives around the impulse to individuate object and self and how the impulse to decorate is a desire that extends through history. Recent solo exhibitions include Bletting, Franz Kaka, Toronto (2019), Chair for a woman, Contemporary Art Gallery, Vancouver (2019), Paperstainer, Mercer Union, Toronto (2018); A wall as a table with candlestick legs, Tensta Konstall, Stockholm (2018) and Witch with Comb, Artspeak, Vancouver (2017). Recent group exhibitions include Art Encounters Biennial, Timisoara (2019), Sobey Art Award, Art Gallery of Alberta, Edmonton (2019); Soon Enough – Art in Action, Tensta Konsthall, Stockholm (2018); Separation Penetrates, Mercer Union, Toronto (2017); Dream Islands, Nanaimo Art Gallery (2017); Ambivalent Pleasures, Vancouver Art Gallery (2016) and Reading the Line, The Western Front, Vancouver (2015). Her collaboration with Evan Calder Williams, The Fine Line of Deviation, has been exhibited at Mercer Union, Toronto (2018) and Issue Project Room, New York (2016). 

[annelow.ca](http://annelow.ca/)

Gregor Schneider, "Die Familie Schneider": Artangel, London

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White: Whiteness and Race in Contemporary Art, International Center of Photography, New York

Header

C Mag

Issue 85

Pro-Americanism

Credits

Letters

Re: Twenty Years of C Magazine

Postscript to "An Interview With Michael Snow" In Issue #84 Winter 2004: Apologies and Corrections / Clarifications

Editorial

Pro-Americanism

Features

Body Politics: A Letter to Terry Eagleton

Elke Marhöfer: Get Out if Here and Think We

Nice Nihilism: The Art of Chris Hanson and Hendrika Sonnenberg

Paper Rad: The Rainbow Graffiti Will Fade!

Artist Projects

Table of Contents: Sydney Vermont, George Reagan, 2005

Sadegh Tirafkan, From the Series: Secret of the Runes, 2002

It Can Change, 2004

Columns

Slant: Suffering, Empathy, Art and the Greater Good

The Shover: Waiting For The One

Reviews

Eli Lander, "Twelve Years From Earth": Daniel Hug Gallery, Los Angeles

Gu Xiong and Xu Bing, "Here is What I Mean": Doris McCarthy Gallery, Scarborough

Gregor Schneider, "Die Familie Schneider": Artangel, London

White: Whiteness and Race in Contemporary Art, International Center of Photography, New York

Flipside: Artists Space, New York

Sandra Meigs, "The Bump and Ride Paintings": Susan Hobbs Gallery, Toronto

Paul P.: Galerie Lisa Ruyter, Vienna

3 Objects, Daniel Young and Christian Giroux: Ace Art Inc., Winnipeg

Interviews

I Want More Life Fucker: Arnaud Desjardin Talks to UK’s Inventory